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A front-facing view of the Anantasayana Vishnu Sculpture, a detailed terracotta-style museum replica featuring intricate relief carvings of deities.
An Anantasayana Vishnu Sculpture replica in stone composite, showing intricate Gupta-era relief carvings of deities on a wooden base.
A hand holds an informational card featuring the Anantasayana Vishnu Sculpture with detailed annotations explaining the Gupta-period stone relief.
An Anantasayana Vishnu Sculpture museum replica displayed in an open black gift box with an authenticity certificate on a table.
Hands hold an Anantasayana Vishnu Sculpture, a terracotta-style museum replica featuring intricate Gupta-period relief carvings of reclining deities.
A front-facing view of the Anantasayana Vishnu Sculpture, a terracotta-style museum replica featuring intricate relief carvings of deities.
Hands hold an Anantasayana Vishnu Sculpture, a terracotta-style replica featuring intricate Gupta-period relief carvings of deities on a dark background.
An Anantasayana Vishnu Sculpture museum replica displayed on a stack of books next to a white vase with greenery.
Anantasayana Vishnu
items
items
Name
Anantasayana Vishnu
Origin
500 C.E., Deogarh Vishnu Temple
Currently at
Deogarh Vishnu Temple

About this piece

The Dashavatar temple of Deogarh is the earliest surviving stone temple, built during the Gupta period. Temple niches are full of carvings presenting the masterpieces of Gupta art. The southern niche has an Anantasayana Vishnu panel, presenting the universe creation myth for the devotees. According to Hindu belief, particularly with Vaishnavism, everything emerges from Vishnu. This is a visual narration depicting the creation of cosmology. Vishnu is in a deep meditative state while reclining on the cosmic serpent Shesha, or Ananta. Resting Vishnu doesn’t symbolize stillness but a state from which creation emerges. The multi-hooded Shesha is in coiled form, a symbolic depiction of the cyclic nature of time. There is no end or beginning; "Shesha" itself means “the last one,” and Vishnu rests on this. Goddess Lakshmi is seated near his feet, caressing them gently. She isn’t just Vishnu’s consort but also the goddess of wealth and prosperity. Behind her, Bhudevi and personified Garuda are standing in the service of sleeping Vishnu. Brahma, the creator of the universe, is sitting on the lotus in the middle. It is believed that while Vishnu was in a meditative state, a lotus stem came out from his navel, and seated Brahma appeared on that. Later, he created everything with the permission of Vishnu. This scene is witnessed by other deities, too. Kartikeya is on his peacock, Indra is seated on his elephant, and on the left side of Brahma, Hara-Gauri is seated on Nandi. Six figures in the lower panel, believed to be the Pandava brothers, are accompanied by Draupadi. However, some scholars believed that it is a depiction of Kaumodaki, Sudarsana, Sarnga, and Nandaka preparing to fight the two demons who have appeared as male Kaitabha and female Madhu. This intricately carved panel has translated a Puranic story into visual narration.

Reviews

S

Shah

Verified Purchase

about 2 months ago

The Anantasayana Vishnu is elegantly carved and the reclining pose on the serpent bed feels very faithful to the original temple sculpture.

N

Nakul

Verified Purchase

6 months ago

The Anantasayana Vishnu is a sculpture of real beauty and calm — the reclining Vishnu form has a serenity that brings peace to any space.

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